Central California Poetry Journal

Volume 2003 Number 1

The Poetry of Central California Page 03f1

Electric Shards

2003

Table of Contents


Electric Shards is a regular feature of The Central California Poetry Journal. You will find individual poems, or a small group of poems by poets who may or may not be featured on other pages in the Journal. Each group of poems on this page is linked to the list of featured poets at the top of the page. Electric Shards pages remain on-line in the 2002, 2001, 2000, 1999, 1998, 1997, and 1996 editions of the Journal.


List of Poets Included in the 2003 edition of Electric Shards

Erica Mayyasi
Amelia Glaser
Joanne Smith-Hileman
Lorraine S. May
Melanie Simms
R. N. Taber
Harry Owen
Kelly Ann Malone
Cindy Haynes
Cathy Hodsdon
Maxine Landis
Cynthia Nelson
Deborah Kolodji
Brady Norvall
Robert Hackney


Erica Mayyasi

Somewhere in the Stanislaus

Thunder echoes through the mountains
We don our rain gear and
Take shelter under majestic trees
Somewhere in the Stanislaus.
I lose a roll of film
27 exposures
of an incredible journey
Perhaps some other hiker
will take shelter under the trees
And discover this roll of film
Perhaps they will take it
to be developed
27 pictures
in vibrant color
Perhaps they will see
eager eyes and wide smiles.
Perhaps they too will smile
Understanding
only as a backpacker can
why these young faces
are so illuminated.
They will see
eager eyes wide
and faces still smiling
under majestic trees
as thunder echoes
somewhere in the Stanislaus.

After Hiking A Segment of the Pacific Crest Trail

I measured out the mileage
on the map
with dental floss
its cherry flavor
left red smudges
highlighting the fine blue marks
of the contour lines

The California sun
releases the scent
of artificial cherry
and reminds me
of the few intoxicating flowers
in Paradise Valley-
where it rained most of the time

Copyright © Erica Mayyasi 2003 All Rights Reserved.

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Amelia Glaser

Open Letter to a Toxidendron

You really didn't need me either.
So I'll spill your armload of caviar,
eggs burst on bedclothes,
oil the sheets, stain white pillows
in calamine pink.

Genius branch,
another wise unnoticed self
until I've overstepped those bounds
your February face, obscured
by meadowlands, moss-covered limb
in mossy oak's embrace. We were
each distinctly unimpressive.
Sour of sorrel, whining shadow of pine
flowed into photogenic field.
And paintbrush
red, forget-me-not lattice
fade in spring-like dusk.
With us: it all was accidental touch.

No inspiration needed
to recall our nightly recklessness.
(what human soul could move me less,
my poison concubine?)
But later, waking in your arm (once mine),
It's you who fit my form,
I, who conform.

Copyright © Amelia Glaser 2003 All Rights Reserved.

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Joanne Smith-Hileman

To Smell the Roses

-- written in Yosemite

Taking time,
to absorb all the beauty;
Mother Nature provides

Greens and grays,
in all their splendor;
washed with rain

Mesmerizing,
towers of rocks; standing
in front of you, proudly.

Clouds of snow,
envelop the peaks;
watering the terrain.

Air is crisp,
plants sigh; thankful
for the drink, again.

Colors change,
from gray to white,
sparkling; a welcome sight.

Earth rejoices,
long awaited relief.
We give thanks for rain.

Copyright © Joanne Smith-Hileman 2003 All Rights Reserved.

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Lorraine S. May

The Square Root of 36

Would you know what I see when I look at you,
A simmering day years ago,
Hands hanging freely, plastic apricot lips,
A thundering heart pressed against my rib cage like a magnet,
Braided summer grasses through I ran,
Could I catch you?

What would you say if I told you I feel in love with you last summer,
As we drove through an asphalt mirage,
And I hurled jargon at you.
What fine lovers peaches can make,
When I saw you devouring my heart,
I wiped its juices off your chin..

And later, when pears mold and drop banging in the bin,
And in fruit uneaten I hibernate and scrape my wrists with dried pits.
I hug myself in a tiny silver box as the stillness of reality settles in for the night.
Do you know I love you,
You'd say you understood,
but the moat around your castle would deepen.
Would you blink your fire green eyes,
Making me shrivel into a sticky mud puddle,
dripping down and covering the bottom of your sandals?

In a summer past,
I could tell you about the dullness in my chest,
and the fierceness of the blood flushing my sunburned palms,
But I am silent now by a truth that you can see,
Only sometimes, the sticky truthful darkness of my heart leaks,
just a little bit onto you.

Copyright © Lorraine S. May 2003 All Rights Reserved.

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Melanie Simms

Back to Paradise

-- (for Gary Young)

She's new,
polished by the California sunlight
into a brown-sugared sweetness; with
eyes the color of lapis, reflecting a
Pacific Ocean that stretches out
eternally.

She is touched by West Coast paradise,
and even in these dismal, proper corners
of the East, she delights in sharing smiles,
illuminating a world with a heart that says,
"Follow me. Let's party, catch a wave!"

If these land-lubbers could, these country
farm-folk who've forgotten how to dance,
they would ride that wave with her,
into that sweet ocean of joy,
but she is an enigma here,
a girl outside her element,
defied by an alien sunlight.

Sweet child of California,
touched by the light of a much kinder god,
follow Rand-McNally's little blue roads back home,
back to paradise!

Copyright © Melanie Simms 2003 All Rights Reserved.

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R. N. Taber

California Dreaming

Arms, legs, faces, like splotches
on the sidewalk, abstract
paintings in a gallery;
Eyes, ears, noses, like mosaic
tiles on floors and ceilings,
walls of museum halls;
Dodging acid rain like Indian
arrows - on the way
to the office;
(Wonder how they survived, who
never tapped out their lives
on a keyboard?);
Killing off the buffalo, building
a railroad, digging
for gold;
Stories, legends, told for men
and women to live by
or run on empty;
Daydreaming a package vacation;
converted ranch house, cabin
in the mountains...
salvation of a people making
in-roads to the pulse
of a nation;
Merge documents, save, exit;
Computer graphics done,
back to basics

Copyright © R. N. Taber 2003 All Rights Reserved.

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Harry Owen

Death Valley

Burn again, your heat an immolation,
blade-flame thrusting high,
Hades penetrating night.

Listen . . . and waters still plunge
with dugout canoes, fishing nets
and women waving from the shore -
A broth of something simmers here,
thick with whales and dugongs,
sweeps in wild rollers, groaning
with the heft of seabirds
beneath a bursting sun . . .

So burn, you white-hot double helix,
bright in fervent desiccation!

Listen on this plain that was a sea
as you scorch, blister, waste
to dark cinders - moonscape,
Fossilized, dust - listen
for the soft white hiss
of ancient futures in the breeze.

Copyright © Harry Owen 2003 All Rights Reserved.

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Kelly Ann Malone

Glorious Water

Small clear caps of pebbled beads that glisten in the light
race across the sidewalks edge, aborted in mid-flight

Tiny drops of precious water collect upon a flower
Thirst is what the rose projects, intending to devour

Gentle rain from pregnant clouds release a cooling mist
Mixed with rays of warm sunlight, a rainbow in the midst

Pools of liquid gather proud into a dancing creek
Sent below from high above upon a mountain peak

Roaring rapids gather steam, their destination clear
In the distance luscious waves proclaim the sea is near

Sure of what her calling is and where she's meant to be
What was once a simple drop, is now part of the sea

Copyright © Kelly Ann Malone 2003 All Rights Reserved.

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Cindy Haynes

Sacramento 7/5/02

Potato bugs crawl across yellow
linoleum. It still smells
like paint thinner in this apartment.

There is one yellow flower
standing on my rented concrete patio
and Ants line the cracks of
pollen-stained sidewalks in Sacramento.

Florin Road is polluted by
oil drips from ghetto cars
living less than two miles away.

This is not Arizona-- not Mesa.
not ugly stucco pre-planned neighborhoods
with white sidewalks and clean streets.

This is not Oklahoma-- not Tulsa.
not a Christian church on every corner
with big brick houses lining treed streets.

Wet things mold here, we stay.
and pollen will stain us.
This is not affordable, not even close.

Copyright © Cindy Haynes 2003 All Rights Reserved.

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Cathy Hodsdon

Heat

One summer day is gone,
Lost on the horizon.
Heat burned my skin,
My head filled with steam.
Understand what I say,
Take me to the mountains.
Summer is mixing my signals,
Filled with endless yellow.
Winds blow the dirt all over,
I squint to see the line,
Praying for the spray of color,
Cool the night skies so sleep
Can be endless and silent.
Summer days are one long moment.
Return to the seasons, the sights
And smells of change.
Turn down the thermostat,
Sit and stare at the line, look
For the color, watch and wait for the cool.

SIERRA FORTRESS

The mighty Sierra Nevada Mountains,
Guard the eastern California border.
Sawtooth is the English translation,
Assigned to these jagged creations.
Lakes and rivers flow through their canyons,
Rushing to the dams built below.
Electric power generated from the overflow.
Surveyors, hikers, and forest rangers,
Map out the terrain still unknown,
Finding ways to traverse the mountain the passes,
Reminding us of Carson and Donner,
Familiar names we all know,
Who risked their lives in freezing snows
Conquering the mighty mountains.
Respect, and protect this monument built by God.
Be thankful for the beauty and serenity.
Travel the winding roads and highways,
Get lost in the fortress, if only for a few days,
Recharge your senses in simple ways.
The Sierra Nevada Mountains,
Like an arm around California.
Keep us safe amid the turmoil,
Hold us upright, don't let us fall,
Let us hang on for just a while,
While we catch our breath, as we prepare to move on.

Copyright © Cathy Hodsdon 2003. All Rights Reserved.

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Maxine Landis

Central Coast Ghosts

Looming off the central California Coast
The Channel Islands stretch as Ghosts.

Only ten nautical miles from the mainland
by boat, five islands with mission city names afloat.

Santa Barbara, San Miguel, Santa Rosa, Santa Cruz,
and Annacapa, half buried in the sea.
Mostly shrouded in fog and mist
Sometimes as clear as Hawaii Isles bliss,.

From Ventura to Santa Barbara they spread
Only wildlife and nature reside, few humans tread.

Once the home of Indians who planted, fished, canoed, and
hunted.
These once famous "Islands of the Blue Dolphin"*

where Condor feathers were gathered into headdresses--
now ruined by ranches, bases, farming and oil messes.

I saw the rock called chert, the Chumash Indians
used as a tool for making beads to trade other tribes.

I climbed and hiked up a peak
to see sea lions in the deep.

I heard but didn't see
the pigs that dig up trees.

I learned about the blue whales
who play along the coast's volcanic shales.

I saw a giant starfish clinging in the clear water
among the seaweed by the shallow beach.

I saw snorkelers swimming in the arch formations
and caves, carved from erosion and crustaceans.

I heard about the geological find
of bones very old, a geologic gold mine.

I saw the old ranch and farm where wild horses roamed free
now only deer tics run like bees

These isles least known or visited of our state parks
where brown pelicans swoop and loop.

The rangers say they are trying to restore and preserve
the glory of these isles where condors use to roam and curve

I saw a black Raven very large
Gold and Bald Eagles come here to forage

Now visitors who want a quiet escape come to camp,
kayak, fish, hike, snorkel and swim on summer nights.

Copyright © Maxine Landis 2003. All Rights Reserved.

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Cynthia Nelson

Barn: Highway Forty-Nine

Two ridges at the edge of unkempt nowhere
feathered with foxtails
backstop a barn,
while wind plays chromatic timbers
in quavering scales.

Inside it an anvil
some picks and a milk can
brew orange oxides.
They percolate
drips of iron light.

The corrugated tin eaves serve the stillness.
They distill shadows
into hierarchy. They order
soft shades of light
against August hills.

Copyright © Cynthia Neslon 2003. All Rights Reserved.

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Deborah P. Kolodji

golden poppies
as I drive through the pass
descent into spring

Past Mojave

We drive
the long flat road
heading north to Mammoth.
The mountains watch us from both sides,
distant.

Kern River

Frothy
whitewater rush -
gift from the Sierras.
We ride life's rapids in fragile
kayaks.

Packsaddle Cave

Clumps of
manzanita
dot the trail with color -
we share old cave tales, our flashlights
ready.

Trail of a Hundred Giants

We walk
in the shadows
of giant sequoias.
Dwarfed by ancient stillness, our feet
whisper.

Copyright © Deborah Kolodji 2003. All Rights Reserved.

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Brady Norvall

The Way Grandpa Cut the Fog

like my grandfather's chevy cutlass,
the fog rolls into the drive
tainted white,
purchased many years prior to my birth,
as grey.
it was the ride of choice
often serving a young soul as its own destination.
grandma never told me how fog,
on nights when
cold fingertips to knuckles,
teeth to throat,
was heaven for deserted souls.
when the clouds would rise above the sky,
and make way for a morning of dew
and frost and not-an-inch of visibility,
is when the souls of the lonely come all together,
hold hands and build a seemingly endless wall of gloom
that infects all bodies to stay inside,
in bed with their dogs, cats, chicken broth and poetry.
all warming the lonely soul-
accompanying him in his cutlass,
headlights searching the fog
for lost war buddies and
friends passed to better places- though he never thought so.
with his headlights searching the fog,
driving through the thick white haze,
i search for him,
and times when i never had to wear a seatbelt.

Copyright © Brady Norvall 2003. All Rights Reserved.

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Robert Hackney

Big Sur

1.

Changing, changeless folds
Of coast endure the full rolls
Of sea bursting Mandelsblot patterns
Below this backbone for far horizons,
Oceans containing the salt solution
In which our structured selves swim
At the apogee of foam risen
Through blow-hole fissures,
Bespeaking the force
Of life guided members
Suspending moon churned
Liquids within....

Native Temescal sweats leave beaded skin,
Breasts in half light, balls in the wind.

Shinto kettles slosh under
Joss sticks lit by paraffined bark
In an atmosphere of odored
Oils, warmth and caress--
Shining forms, half holy hands
Performing rituals borrowed, in reverence,
Whole from less-than-foreign animist lands.

Just inland, full-tanned primavera
Maidens flicker in woodland bowers
Clasping hands, their souls
Singing with eros.
They dance into deep autumn
Through the sweetness of seasonal
Sequence; the earth also spins friction's flint
Sparked kindling, glowing amidst
Rapture groves meant for fiddling,
Fondling, the vibrous trilling
Of gut and reed against a rustling
Counterpoint of artesian tones and brush--
Ripples through boughs, breeze over stone.

It was easy for us to make music then,
Keeping the beat of other continents
Close to our own ribbed runs

2

And Eucalyptus perfumed gorges down
The coveless cliff's margin
Opening westward.
Those enclosures offer ridges of foliage,
Fair cover for hawk-armed stalker
And the tusked boar.
They also offer shelter and forage
To those who still keep memory
Pitched to perfect stillness or melody.

Copyright © Robert Hackney 2003. All Rights Reserved.

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